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Mastering : is the final process before your song or any instrument sound will be published and distributed to your fans or future customers. So that's why is the quality of your mastered song very imported! Also it depends on the "groupe" of your fans or customers whitch kind of "listeners" they are. There is soft and loud mastering. Some of say that 'loud' mastering is the best, but my opinion is that you have to still looking on the "type" of your song; genre. Any mastering is used when rock song, other mastering process is choosen when R&B or Hip-Hop or Pop style.
We are making the mastering only Hip-Hop, R&B, Reggae, Pop & Rock, Dance & House. No Jazz or Classic music we are offering. Also it depends what kind of mastering exporting would you like to have. There is stereo & surround master.
Process definition:
(source wikipedia)
The source material, ideally at the original resolution, is processed using equalization, compression, limiting, noise reduction and other processes. More tasks, such as editing, pre-gapping, leveling, fading in and out, noise reduction and other signal restoration and enhancement processes can be applied as part of the mastering stage. This step prepares the music for either digital or analog, e.g. vinyl, replication. The source material is put in the proper order, commonly referred to as assembly (or 'track') sequencing.
If the material is destined for vinyl release, additional processing, such as dynamic range reduction, frequency dependent stereotomono fold-down and equalization, may be applied to compensate for the limitations of that medium. Finally, for compact disc release, Start of Track, End of Track, and Indexes are defined for disc navigation. Subsequently, it is rendered either to a physical medium, such as a CD-R or DVD-R, or to a DDP file set, the standard method of secure delivery for CD and DVD replication masters. The specific medium varies, depending on the intended release format of the final product. For digital audio releases, there is more than one possible master medium, chosen based on replication factory requirements or record label security concerns. Regardless of what delivery method is chosen, the replicator will transfer the audio to a glass master that will generate metal stampers for replication.
The process of audio mastering varies depending on the specific needs of the audio to be processed. Mastering engineers need to examine the types of input media, the expectations of the source producer or recipient, the limitations of the end medium and process the subject accordingly. General rules of thumb can rarely be applied.
Steps of the process typically include but are not limited to the following:
1. Transferring the recorded audio tracks into the Digital Audio Workstation (DAW) (optional).
2. Sequence the separate songs or tracks (the spaces in between) as they will appear on the final release.
3. Process or "sweeten" audio to maximize the sound quality for its particular medium (e.g. applying specific EQ for vinyl)
4. Transfer the audio to the final master format (i.e., CD-ROM, half-inch reel tape, PCM 1630 U-matic tape, etc.).
Examples of possible actions taken during mastering:
1. Editing minor flaws
2. Applying noise reduction to eliminate clicks, dropouts, hum and hiss
3. Adjusting stereo width
4. Adding ambience
5. Equalize audio across tracks
6. Adjust volume
7. Dynamic range expansion or compression
8. Peak limit
To finish mastering a CD the track markers must be inserted along with ISRC, PQ codes,[further explanation needed] text and other information necessary to replicate a CD. Vinyl LP and cassettes have their own pre-duplication requirements for a finished master.
Our price depends on your project and contract with us.
............... Peace ...............
